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Carramba that Boncompagni! How boring does that 
True Carrà and Boncompagni. And point. There is nothing to add. The real queen of television's him. The helmet of blond varieties is called Hans. Raffaella and only the hologram sequins and shoulder pads (although now only hinted at) and capers around for 40 years, sings and moves close to containing flesh-colored stockings. His mark. The back Carrà Carrà only when he's there to direct it, when he's writing the choruses, when he's there to choose the sets (like the floor mirror that doubles), the lineup, the 40 boys Caramba (ie The beautiful indeed beautiful) and, at this point deduce clothes. Without him, is half the Carrà: Raffaella and it is just a little 'noiosetta. The Carra is back, and went back to the best of ways: it has set up a classic variety and stale as the color of his hair, with guests taken right and left from his personal diary (the duet with Renato Zero, however, was a "bbomba"), with no surprises, no news, no stroke of genius, with nothing again, exactly. And this is the big news: on TV wearing nothing but dignity. In short, he did what others are doing (or Gerri Scotti Maria De Filippi they do for example?) But did so in the best way. The rest is life ... Costanzo would say. The Carr fund is like the mustard: or the like and you consume or avoid like Lorena Bianchetti. One doubt: but the group consisting of Cornflower, Spain, and Alexia Marcella Bella escaped to formaldehyde by Damien Hirst? When it seemed to have appeared in an episode of Nip / Tuc. Here, if I had to choose who to be Carramba how lucky I chose the wig Marcella Bella so thick, vaporous and pulsing the impression that I even had a living being ... Good shirt for everyone.
True Carrà and Boncompagni. And point. There is nothing to add. The real queen of television's him. The helmet of blond varieties is called Hans. Raffaella and only the hologram sequins and shoulder pads (although now only hinted at) and capers around for 40 years, sings and moves close to containing flesh-colored stockings. His mark. The back Carrà Carrà only when he's there to direct it, when he's writing the choruses, when he's there to choose the sets (like the floor mirror that doubles), the lineup, the 40 boys Caramba (ie The beautiful indeed beautiful) and, at this point deduce clothes. Without him, is half the Carrà: Raffaella and it is just a little 'noiosetta. The Carra is back, and went back to the best of ways: it has set up a classic variety and stale as the color of his hair, with guests taken right and left from his personal diary (the duet with Renato Zero, however, was a "bbomba"), with no surprises, no news, no stroke of genius, with nothing again, exactly. And this is the big news: on TV wearing nothing but dignity. In short, he did what others are doing (or Gerri Scotti Maria De Filippi they do for example?) But did so in the best way. The rest is life ... Costanzo would say. The Carr fund is like the mustard: or the like and you consume or avoid like Lorena Bianchetti. One doubt: but the group consisting of Cornflower, Spain, and Alexia Marcella Bella escaped to formaldehyde by Damien Hirst? When it seemed to have appeared in an episode of Nip / Tuc. Here, if I had to choose who to be Carramba how lucky I chose the wig Marcella Bella so thick, vaporous and pulsing the impression that I even had a living being ... Good shirt for everyone. 
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